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Power
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Power

Giclée

Edition 120

Released August 2012
SOLD OUT

Available Exclusively at Hill's Native Art.

I belong to the K’ómoks First Nation and we are (light) years deep into the British Columbia treaty process. I truly have mixed feelings about our involvement in this. By choosing to engage in the process, we enter a world of consultants and negotiators and other strange, scary and wonderful creatures. We partake in a world of borrowing and debt; of meetings and fights. We enter without knowing whether we are journeying into the dark side or are on a path towards the light.

What I do know is that under the treaty process, our community has begun to fracture. Our very future as a people is at stake. Will treaty define who we are or will our culture do that? Will treaty lead us to form a “Treaty Empire” or a “Treaty Rebellion”?

Politicians often start out with good intentions. This is true for both natives and non-natives, alike. They get into politics with the idea that they can change the world and make it a better place. The fortunate few succeed in their mission. Many others, however, fail. They become enamored with ego and entranced with power.

They give in to the dark side. They forget about the principles that define us as Aboriginal people. They ignore the wisdom of the elders and instead listen to the counsel of the lawyers. They cater to their family to keep their voter base intact. They ignore the state of our language and instead focus on the state of their bank account. They would rather sing the praises of their accomplishments than sing the songs of their ancestors. They lead us into treaty instead of leading us into unity. We know that this power is simply just a mask; a mask that can be removed to make them one with the people once again.

“Power” is a limited edition print using the giclée method of printmaking. This print was released in August of 2012 and printed by Andy Everson at Copper Canoe, the artist’s own studio in Comox B.C. A total of 133 prints bear the title "Power” and are signed by Andy Everson: 120 in the primary edition bearing the numbers 1/120 through 120/120; 12 Artist’s Proof; and 1 Printer’s Proof. The acid-free Moab Entrada 100% cotton rag paper measures 11x17 inches. Image size measures about 10x15 inches.

 

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