Metamorphosis
Silkscreen
Edition 16
Released October 2003
SOLD OUT
There are numerous times in one’s life when
one undergoes some sort of transformation. For many, this may come
about through graduating from school, changing jobs, or even the
death of a loved one. For me, the marriage to my wife, Nicole, and
the birth of my daughter, Claire, brought about this “Metamorphosis.”
This design is done in a style reminiscent of the
Coast Salish spindle whorl. In the centre is a human figure with
outstretched arms. In the arms are the profiles of eagle heads and
in the body is another eagle face. If one were to turn the design
upside down, two other eagle faces would be evident—a diving
eagle and one in the tail. The eagle is one of my family’s
primary crests. The upside-down face in the centre symbolizes the
spirit of the human.
Surrounding the transforming human/eagle figure are
two swans. Trumpeter swans are notable to me for two reasons: they
nest in the Comox Valley and they mate for life. The swans in this
print represent the transformative people in my little family—Nicole
and Claire. They make me a better person.
This print was exciting for me to do as it was truly
produced as part of a learning experience. I approached master printmaker
Andy MacDougall of Courtenay (www.squeegeeville.com)
to teach me the basics of serigraphy, or silkscreen printmaking.
Over the course of a few sessions, I learned how to create separations
for each of the colours and how to “burn” these into
the screen. I also learned the intricacies of pulling the squeegee
and making a beautiful “blend” on a print. The end result
of this education is the print, “Metamorphosis.”
“Metamorphosis” is a limited
edition print using the silkscreen method of printmaking. Print
production took place during October of 2003 at the MacDougall Screenprinting
of Courtenay B.C. The artist was involved extensively throughout
the process and has ensured that all stencils were destroyed following
printing. A total of 22 prints bear the title “Metamorphosis”
and are signed by Andy Everson: 16 in the primary edition bearing
the numbers 1/16 through 16/16; 2 Artist’s Proofs; 2 Remarques;
and 2 Printer’s Proofs. The acid-free 100% Stonehenge paper
measures about 14.75x19 inches. Image size measures about 10.5x14.75
inches.
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